<!DOCTYPE html>
<html xmlns="http://www.w3.org/1999/xhtml"
	  xmlns:epub="http://www.idpf.org/2007/ops">
<head>
	<title>Navigation</title>
</head>
<body>
	<nav epub:type='toc' id='book-2-toc'><h1>Table of Contents</h1><ol><li><a href="https://publications.dma.org/api/epub/2/4/content.xhtml?revision=1777489302" data-section_id="4" data-subtitle="" data-timestamp="1366052232" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/DallasSITES_cover.jpg?itok=k2BNv1wD" data-active="">About This Publication</a></li><li><a href="https://publications.dma.org/api/epub/2/270/content.xhtml?revision=1777489302" data-section_id="270" data-subtitle="" data-timestamp="1374258368" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/NeighborhoodEssays.jpg?itok=hu2IgDXS" data-active="">Neighborhood Essays</a><ol><li><a href="https://publications.dma.org/api/epub/2/7/content.xhtml?revision=1777489302" data-section_id="7" data-subtitle="Leigh Arnold" data-timestamp="1366053763" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/Fair-Park.jpg?itok=jJwp2alQ" data-active="">Fair Park-South Dallas: The City's First Arts District</a></li><li><a href="https://publications.dma.org/api/epub/2/105/content.xhtml?revision=1777489302" data-section_id="105" data-subtitle="Leigh Arnold" data-timestamp="1373900923" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/Uptown_Plate.jpg?itok=J22-hltO" data-active="">Uptown: The Original Gallery District</a></li><li><a href="https://publications.dma.org/api/epub/2/103/content.xhtml?revision=1777489302" data-section_id="103" data-subtitle="Leigh Arnold" data-timestamp="1373900849" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/OakCliff_0.jpg?itok=9MCGf2w1" data-active="">Oak Cliff: Dallas' Left Bank</a></li><li><a href="https://publications.dma.org/api/epub/2/99/content.xhtml?revision=1777489302" data-section_id="99" data-subtitle="Leigh Arnold" data-timestamp="1373900700" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/DeepEllum.jpg?itok=VpJGFQX9" data-active="">Deep Ellum: Where Mainstream and Counterculture Converge</a></li><li><a href="https://publications.dma.org/api/epub/2/100/content.xhtml?revision=1777489302" data-section_id="100" data-subtitle="Leigh Arnold" data-timestamp="1373900764" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/ArtsDistrict-Downtown_0.jpg?itok=r8-C3TTq" data-active="">Arts District–Downtown: A City’s Cultural Dream Come True</a></li><li><a href="https://publications.dma.org/api/epub/2/101/content.xhtml?revision=1777489302" data-section_id="101" data-subtitle="Leigh Arnold" data-timestamp="1373900787" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/DesignDistrict.jpg?itok=nrUl5AX8" data-active="">Design District: Not Just for Interior Decorators </a></li><li><a href="https://publications.dma.org/api/epub/2/104/content.xhtml?revision=1777489302" data-section_id="104" data-subtitle="Leigh Arnold" data-timestamp="1373900870" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/UniversityCommunities.jpg?itok=e0h_v7CY" data-active="">University Communities: Shaping the Future</a></li></ol></li><li><a href="https://publications.dma.org/api/epub/2/276/content.xhtml?revision=1777489302" data-section_id="276" data-subtitle="" data-timestamp="1374273120" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/SCHOLARLYESSAYS.jpg?itok=XlU_FJ-y" data-active="">Scholarly Essays</a><ol><li><a href="https://publications.dma.org/api/epub/2/9/content.xhtml?revision=1777489302" data-section_id="9" data-subtitle="Leigh Arnold" data-timestamp="1366053879" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/Collectors_0.jpg?itok=KkB6NVVc" data-active="">Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection</a></li></ol></li><li><a href="https://publications.dma.org/api/epub/2/275/content.xhtml?revision=1777489302" data-section_id="275" data-subtitle="" data-timestamp="1374272460" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/Appendix.jpg?itok=Vy4wWO5O" data-active="">Appendices</a><ol><li><a href="https://publications.dma.org/api/epub/2/12/content.xhtml?revision=1777489302" data-section_id="12" data-subtitle="" data-timestamp="1366054076" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/Appendix.jpg?itok=Vy4wWO5O" data-active="">Gallery Location Map</a></li><li><a href="https://publications.dma.org/api/epub/2/317/content.xhtml?revision=1777489302" data-section_id="317" data-subtitle="" data-timestamp="1374528337" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/image_assets/OralHistoryCollection.jpg?itok=qPCH-blI" data-active="">History of Contemporary Art in Dallas Oral History Collection</a><ol><li><a href="https://publications.dma.org/api/epub/2/316/content.xhtml?revision=1777489302" data-section_id="316" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374341383" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_16.jpg?itok=ZQFE4tfk" data-active="">Edith Baker and Patricia Meadows</a></li><li><a href="https://publications.dma.org/api/epub/2/16/content.xhtml?revision=1777489302" data-section_id="16" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1366054141" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_0.jpg?itok=uNVgPZKw" data-active="">Eugene Binder</a></li><li><a href="https://publications.dma.org/api/epub/2/312/content.xhtml?revision=1777489302" data-section_id="312" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374341037" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_24.jpg?itok=XSwrCqEk" data-active="">Anne and Alan Bromberg</a></li><li><a href="https://publications.dma.org/api/epub/2/313/content.xhtml?revision=1777489302" data-section_id="313" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374341074" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_25.jpg?itok=JfX-EOUJ" data-active="">Laura Carpenter and Nic Nicosia</a></li><li><a href="https://publications.dma.org/api/epub/2/306/content.xhtml?revision=1777489302" data-section_id="306" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374340791" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_18.jpg?itok=eTCzHZhQ" data-active="">J. R. Compton</a></li><li><a href="https://publications.dma.org/api/epub/2/303/content.xhtml?revision=1777489302" data-section_id="303" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374277455" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_15.jpg?itok=xfUJan88" data-active="">Celia Eberle</a></li><li><a href="https://publications.dma.org/api/epub/2/308/content.xhtml?revision=1777489302" data-section_id="308" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374340852" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_20.jpg?itok=Q9LQ6CpW" data-active="">Brian Gibb</a></li><li><a href="https://publications.dma.org/api/epub/2/315/content.xhtml?revision=1777489302" data-section_id="315" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374341124" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_27.jpg?itok=Or2LaJGS" data-active="">Susan kae Grant</a></li><li><a href="https://publications.dma.org/api/epub/2/310/content.xhtml?revision=1777489302" data-section_id="310" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374340918" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_22.jpg?itok=S_meHw7b" data-active="">Paul Rogers Harris</a></li><li><a href="https://publications.dma.org/api/epub/2/302/content.xhtml?revision=1777489302" data-section_id="302" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374277406" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/append_thumb.jpg?itok=nCGG7gEP" data-active="">John Held Jr.</a></li><li><a href="https://publications.dma.org/api/epub/2/314/content.xhtml?revision=1777489302" data-section_id="314" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374341099" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_26.jpg?itok=60EvYbxI" data-active="">Janet Kutner</a></li><li><a href="https://publications.dma.org/api/epub/2/309/content.xhtml?revision=1777489302" data-section_id="309" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374340882" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_21.jpg?itok=3gB2OMLy" data-active="">June Mattingly</a></li><li><a href="https://publications.dma.org/api/epub/2/300/content.xhtml?revision=1777489302" data-section_id="300" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374277243" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_12.jpg?itok=5Z5XKLy2" data-active="">David McCullough with Ruth Wiseman</a></li><li><a href="https://publications.dma.org/api/epub/2/17/content.xhtml?revision=1777489302" data-section_id="17" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1366054155" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_2.jpg?itok=7Mj1gDKe" data-active="">Vicki Meek</a></li><li><a href="https://publications.dma.org/api/epub/2/307/content.xhtml?revision=1777489302" data-section_id="307" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374340822" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_19.jpg?itok=whDb3VZZ" data-active="">Charles Dee Mitchell</a></li><li><a href="https://publications.dma.org/api/epub/2/305/content.xhtml?revision=1777489302" data-section_id="305" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374340757" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_17.jpg?itok=HSlO7cbb" data-active="">Oak Cliff Artists</a></li><li><a href="https://publications.dma.org/api/epub/2/304/content.xhtml?revision=1777489302" data-section_id="304" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374277489" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_11.jpg?itok=qW_3Qd3h" data-active="">Toxic Shock</a></li><li><a href="https://publications.dma.org/api/epub/2/311/content.xhtml?revision=1777489302" data-section_id="311" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374341010" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_23.jpg?itok=cPr1nORa" data-active="">Robert (Daddy-O) Wade</a></li><li><a href="https://publications.dma.org/api/epub/2/19/content.xhtml?revision=1777489302" data-section_id="19" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1366054191" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_3.jpg?itok=rK1vZcQ4" data-active="">Roger Winter (Part 1)</a></li><li><a href="https://publications.dma.org/api/epub/2/20/content.xhtml?revision=1777489302" data-section_id="20" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1366054212" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_4.jpg?itok=PXyLKsgV" data-active="">Roger Winter (Part 2)</a></li><li><a href="https://publications.dma.org/api/epub/2/301/content.xhtml?revision=1777489302" data-section_id="301" data-subtitle="History of Contemporary Art in Dallas Oral History Collection" data-timestamp="1374277296" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_13.jpg?itok=mAAc_ndG" data-active="">Ruth Wiseman, Michael Tichansky, and Judith Williams</a></li></ol></li><li><a href="https://publications.dma.org/api/epub/2/22/content.xhtml?revision=1777489302" data-section_id="22" data-subtitle="" data-timestamp="1366054238" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_5.jpg?itok=e99oEOnD" data-active="">500X Gallery Records</a></li><li><a href="https://publications.dma.org/api/epub/2/23/content.xhtml?revision=1777489302" data-section_id="23" data-subtitle="" data-timestamp="1366054251" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_6.jpg?itok=d4wDEzd3" data-active="">DW Gallery Records</a></li><li><a href="https://publications.dma.org/api/epub/2/24/content.xhtml?revision=1777489302" data-section_id="24" data-subtitle="" data-timestamp="1366054265" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_7.jpg?itok=esQ2QQg0" data-active="">Paul Rogers Harris Papers</a></li><li><a href="https://publications.dma.org/api/epub/2/25/content.xhtml?revision=1777489302" data-section_id="25" data-subtitle="" data-timestamp="1366054279" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_8.jpg?itok=A3r55ICU" data-active="">Karen Erxleben Weiner Collection </a></li></ol></li><li><a href="https://publications.dma.org/api/epub/2/26/content.xhtml?revision=1777489302" data-section_id="26" data-subtitle="" data-timestamp="1366054294" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_9.jpg?itok=Ib0KDsZB" data-active="">Works Consulted </a></li><li><a href="https://publications.dma.org/api/epub/2/27/content.xhtml?revision=1777489302" data-section_id="27" data-subtitle="" data-timestamp="1366054337" data-thumbnail="https://publications.dma.org/sites/default/files/styles/osci_tk_thumbnail_square/public/Appendix_THUMB_10.jpg?itok=m0I7pN54" data-active="">Copyright and reproduction statement</a></li></ol></nav><nav epub:type='index' id='book-2-index'><h1>Index</h1><ol><li><a href='https://publications.dma.org/api/epub/2/4/content.xhtml?revision=1777489302'>About This Publication</a></li><li><a href='https://publications.dma.org/api/epub/2/4/0/figure.xhtml?revision=1777489302'>About This Publication: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/270/content.xhtml?revision=1777489302'>Neighborhood Essays</a></li><li><a href='https://publications.dma.org/api/epub/2/270/0/figure.xhtml?revision=1777489302'>Neighborhood Essays: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/7/content.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District</a></li><li><a href='https://publications.dma.org/api/epub/2/7/0/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/7/1/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 1</a></li><li><a href='https://publications.dma.org/api/epub/2/7/2/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 2</a></li><li><a href='https://publications.dma.org/api/epub/2/7/3/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 3</a></li><li><a href='https://publications.dma.org/api/epub/2/7/4/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 4</a></li><li><a href='https://publications.dma.org/api/epub/2/7/5/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 5</a></li><li><a href='https://publications.dma.org/api/epub/2/7/6/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 6</a></li><li><a href='https://publications.dma.org/api/epub/2/7/7/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 7</a></li><li><a href='https://publications.dma.org/api/epub/2/7/8/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 8</a></li><li><a href='https://publications.dma.org/api/epub/2/7/9/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 9</a></li><li><a href='https://publications.dma.org/api/epub/2/7/10/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 10</a></li><li><a href='https://publications.dma.org/api/epub/2/7/11/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 11</a></li><li><a href='https://publications.dma.org/api/epub/2/7/12/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 12</a></li><li><a href='https://publications.dma.org/api/epub/2/7/13/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 13</a></li><li><a href='https://publications.dma.org/api/epub/2/7/14/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 14</a></li><li><a href='https://publications.dma.org/api/epub/2/7/15/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 15</a></li><li><a href='https://publications.dma.org/api/epub/2/7/16/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 16</a></li><li><a href='https://publications.dma.org/api/epub/2/7/17/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 17</a></li><li><a href='https://publications.dma.org/api/epub/2/7/18/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 18</a></li><li><a href='https://publications.dma.org/api/epub/2/7/19/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 19</a></li><li><a href='https://publications.dma.org/api/epub/2/7/20/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 20</a></li><li><a href='https://publications.dma.org/api/epub/2/7/21/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 21</a></li><li><a href='https://publications.dma.org/api/epub/2/7/22/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 22</a></li><li><a href='https://publications.dma.org/api/epub/2/7/23/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 23</a></li><li><a href='https://publications.dma.org/api/epub/2/7/24/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 24</a></li><li><a href='https://publications.dma.org/api/epub/2/7/25/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 25</a></li><li><a href='https://publications.dma.org/api/epub/2/7/26/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 26</a></li><li><a href='https://publications.dma.org/api/epub/2/7/27/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 27</a></li><li><a href='https://publications.dma.org/api/epub/2/7/28/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 28</a></li><li><a href='https://publications.dma.org/api/epub/2/7/29/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 29</a></li><li><a href='https://publications.dma.org/api/epub/2/7/30/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 30</a></li><li><a href='https://publications.dma.org/api/epub/2/7/31/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 31</a></li><li><a href='https://publications.dma.org/api/epub/2/7/32/figure.xhtml?revision=1777489302'>Fair Park-South Dallas: The City's First Arts District: Fig. 32</a></li><li><a href='https://publications.dma.org/api/epub/2/105/content.xhtml?revision=1777489302'>Uptown: The Original Gallery District</a></li><li><a href='https://publications.dma.org/api/epub/2/105/0/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/105/1/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 1</a></li><li><a href='https://publications.dma.org/api/epub/2/105/2/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 2</a></li><li><a href='https://publications.dma.org/api/epub/2/105/3/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 3</a></li><li><a href='https://publications.dma.org/api/epub/2/105/4/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 4</a></li><li><a href='https://publications.dma.org/api/epub/2/105/5/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 5</a></li><li><a href='https://publications.dma.org/api/epub/2/105/6/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 6</a></li><li><a href='https://publications.dma.org/api/epub/2/105/7/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 7</a></li><li><a href='https://publications.dma.org/api/epub/2/105/8/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 8</a></li><li><a href='https://publications.dma.org/api/epub/2/105/9/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 9</a></li><li><a href='https://publications.dma.org/api/epub/2/105/10/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 10</a></li><li><a href='https://publications.dma.org/api/epub/2/105/11/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 11</a></li><li><a href='https://publications.dma.org/api/epub/2/105/12/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 12</a></li><li><a href='https://publications.dma.org/api/epub/2/105/13/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 13</a></li><li><a href='https://publications.dma.org/api/epub/2/105/14/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 14</a></li><li><a href='https://publications.dma.org/api/epub/2/105/15/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 15</a></li><li><a href='https://publications.dma.org/api/epub/2/105/16/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 16</a></li><li><a href='https://publications.dma.org/api/epub/2/105/17/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 17</a></li><li><a href='https://publications.dma.org/api/epub/2/105/18/figure.xhtml?revision=1777489302'>Uptown: The Original Gallery District: Fig. 18</a></li><li><a href='https://publications.dma.org/api/epub/2/103/content.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank</a></li><li><a href='https://publications.dma.org/api/epub/2/103/0/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/103/1/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 1</a></li><li><a href='https://publications.dma.org/api/epub/2/103/2/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 2</a></li><li><a href='https://publications.dma.org/api/epub/2/103/3/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 3</a></li><li><a href='https://publications.dma.org/api/epub/2/103/4/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 4</a></li><li><a href='https://publications.dma.org/api/epub/2/103/5/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 5</a></li><li><a href='https://publications.dma.org/api/epub/2/103/6/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 6</a></li><li><a href='https://publications.dma.org/api/epub/2/103/7/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 7</a></li><li><a href='https://publications.dma.org/api/epub/2/103/8/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 8</a></li><li><a href='https://publications.dma.org/api/epub/2/103/9/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 9</a></li><li><a href='https://publications.dma.org/api/epub/2/103/10/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 10</a></li><li><a href='https://publications.dma.org/api/epub/2/103/11/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 11</a></li><li><a href='https://publications.dma.org/api/epub/2/103/12/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 12</a></li><li><a href='https://publications.dma.org/api/epub/2/103/13/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 13</a></li><li><a href='https://publications.dma.org/api/epub/2/103/14/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 14</a></li><li><a href='https://publications.dma.org/api/epub/2/103/15/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 15</a></li><li><a href='https://publications.dma.org/api/epub/2/103/16/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 16</a></li><li><a href='https://publications.dma.org/api/epub/2/103/17/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 17</a></li><li><a href='https://publications.dma.org/api/epub/2/103/18/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 18</a></li><li><a href='https://publications.dma.org/api/epub/2/103/19/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 19</a></li><li><a href='https://publications.dma.org/api/epub/2/103/20/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 20</a></li><li><a href='https://publications.dma.org/api/epub/2/103/21/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 21</a></li><li><a href='https://publications.dma.org/api/epub/2/103/22/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 22</a></li><li><a href='https://publications.dma.org/api/epub/2/103/23/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 23</a></li><li><a href='https://publications.dma.org/api/epub/2/103/24/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 24</a></li><li><a href='https://publications.dma.org/api/epub/2/103/25/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 25</a></li><li><a href='https://publications.dma.org/api/epub/2/103/26/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 26</a></li><li><a href='https://publications.dma.org/api/epub/2/103/27/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 27</a></li><li><a href='https://publications.dma.org/api/epub/2/103/28/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 28</a></li><li><a href='https://publications.dma.org/api/epub/2/103/29/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 29</a></li><li><a href='https://publications.dma.org/api/epub/2/103/30/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 30</a></li><li><a href='https://publications.dma.org/api/epub/2/103/31/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 31</a></li><li><a href='https://publications.dma.org/api/epub/2/103/32/figure.xhtml?revision=1777489302'>Oak Cliff: Dallas' Left Bank: Fig. 32</a></li><li><a href='https://publications.dma.org/api/epub/2/99/content.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge</a></li><li><a href='https://publications.dma.org/api/epub/2/99/0/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/99/1/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 1</a></li><li><a href='https://publications.dma.org/api/epub/2/99/2/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 2</a></li><li><a href='https://publications.dma.org/api/epub/2/99/3/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 3</a></li><li><a href='https://publications.dma.org/api/epub/2/99/4/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 4</a></li><li><a href='https://publications.dma.org/api/epub/2/99/5/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 5</a></li><li><a href='https://publications.dma.org/api/epub/2/99/6/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 6</a></li><li><a href='https://publications.dma.org/api/epub/2/99/7/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 7</a></li><li><a href='https://publications.dma.org/api/epub/2/99/8/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 8</a></li><li><a href='https://publications.dma.org/api/epub/2/99/9/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 9</a></li><li><a href='https://publications.dma.org/api/epub/2/99/10/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 10</a></li><li><a href='https://publications.dma.org/api/epub/2/99/11/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 11</a></li><li><a href='https://publications.dma.org/api/epub/2/99/12/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 12</a></li><li><a href='https://publications.dma.org/api/epub/2/99/13/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 13</a></li><li><a href='https://publications.dma.org/api/epub/2/99/14/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 14</a></li><li><a href='https://publications.dma.org/api/epub/2/99/15/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 15</a></li><li><a href='https://publications.dma.org/api/epub/2/99/16/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 16</a></li><li><a href='https://publications.dma.org/api/epub/2/99/17/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 17</a></li><li><a href='https://publications.dma.org/api/epub/2/99/18/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 18</a></li><li><a href='https://publications.dma.org/api/epub/2/99/19/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 19</a></li><li><a href='https://publications.dma.org/api/epub/2/99/20/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 20</a></li><li><a href='https://publications.dma.org/api/epub/2/99/21/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 21</a></li><li><a href='https://publications.dma.org/api/epub/2/99/22/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 22</a></li><li><a href='https://publications.dma.org/api/epub/2/99/23/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 23</a></li><li><a href='https://publications.dma.org/api/epub/2/99/24/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 24</a></li><li><a href='https://publications.dma.org/api/epub/2/99/25/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 25</a></li><li><a href='https://publications.dma.org/api/epub/2/99/26/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 26</a></li><li><a href='https://publications.dma.org/api/epub/2/99/27/figure.xhtml?revision=1777489302'>Deep Ellum: Where Mainstream and Counterculture Converge: Fig. 27</a></li><li><a href='https://publications.dma.org/api/epub/2/100/content.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True</a></li><li><a href='https://publications.dma.org/api/epub/2/100/0/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/100/1/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 1</a></li><li><a href='https://publications.dma.org/api/epub/2/100/2/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 2</a></li><li><a href='https://publications.dma.org/api/epub/2/100/3/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 3</a></li><li><a href='https://publications.dma.org/api/epub/2/100/4/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 4</a></li><li><a href='https://publications.dma.org/api/epub/2/100/5/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 5</a></li><li><a href='https://publications.dma.org/api/epub/2/100/6/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 6</a></li><li><a href='https://publications.dma.org/api/epub/2/100/7/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 7</a></li><li><a href='https://publications.dma.org/api/epub/2/100/8/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 8</a></li><li><a href='https://publications.dma.org/api/epub/2/100/9/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 9</a></li><li><a href='https://publications.dma.org/api/epub/2/100/10/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 10</a></li><li><a href='https://publications.dma.org/api/epub/2/100/11/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 11</a></li><li><a href='https://publications.dma.org/api/epub/2/100/12/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 12</a></li><li><a href='https://publications.dma.org/api/epub/2/100/13/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 13</a></li><li><a href='https://publications.dma.org/api/epub/2/100/14/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 14</a></li><li><a href='https://publications.dma.org/api/epub/2/100/15/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 15</a></li><li><a href='https://publications.dma.org/api/epub/2/100/16/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 16</a></li><li><a href='https://publications.dma.org/api/epub/2/100/17/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 17</a></li><li><a href='https://publications.dma.org/api/epub/2/100/18/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 18</a></li><li><a href='https://publications.dma.org/api/epub/2/100/19/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 19</a></li><li><a href='https://publications.dma.org/api/epub/2/100/20/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 20</a></li><li><a href='https://publications.dma.org/api/epub/2/100/21/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 21</a></li><li><a href='https://publications.dma.org/api/epub/2/100/22/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 22</a></li><li><a href='https://publications.dma.org/api/epub/2/100/23/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 23</a></li><li><a href='https://publications.dma.org/api/epub/2/100/24/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 24</a></li><li><a href='https://publications.dma.org/api/epub/2/100/25/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 25</a></li><li><a href='https://publications.dma.org/api/epub/2/100/26/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 26</a></li><li><a href='https://publications.dma.org/api/epub/2/100/27/figure.xhtml?revision=1777489302'>Arts District–Downtown: A City’s Cultural Dream Come True: Fig. 27</a></li><li><a href='https://publications.dma.org/api/epub/2/101/content.xhtml?revision=1777489302'>Design District: Not Just for Interior Decorators </a></li><li><a href='https://publications.dma.org/api/epub/2/101/0/figure.xhtml?revision=1777489302'>Design District: Not Just for Interior Decorators : Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/101/1/figure.xhtml?revision=1777489302'>Design District: Not Just for Interior Decorators : Fig. 1</a></li><li><a href='https://publications.dma.org/api/epub/2/101/2/figure.xhtml?revision=1777489302'>Design District: Not Just for Interior Decorators : Fig. 2</a></li><li><a href='https://publications.dma.org/api/epub/2/101/3/figure.xhtml?revision=1777489302'>Design District: Not Just for Interior Decorators : Fig. 3</a></li><li><a href='https://publications.dma.org/api/epub/2/101/4/figure.xhtml?revision=1777489302'>Design District: Not Just for Interior Decorators : Fig. 4</a></li><li><a href='https://publications.dma.org/api/epub/2/101/5/figure.xhtml?revision=1777489302'>Design District: Not Just for Interior Decorators : Fig. 5</a></li><li><a href='https://publications.dma.org/api/epub/2/101/6/figure.xhtml?revision=1777489302'>Design District: Not Just for Interior Decorators : Fig. 6</a></li><li><a href='https://publications.dma.org/api/epub/2/101/7/figure.xhtml?revision=1777489302'>Design District: Not Just for Interior Decorators : Fig. 7</a></li><li><a href='https://publications.dma.org/api/epub/2/101/8/figure.xhtml?revision=1777489302'>Design District: Not Just for Interior Decorators : Fig. 8</a></li><li><a href='https://publications.dma.org/api/epub/2/101/9/figure.xhtml?revision=1777489302'>Design District: Not Just for Interior Decorators : Fig. 9</a></li><li><a href='https://publications.dma.org/api/epub/2/104/content.xhtml?revision=1777489302'>University Communities: Shaping the Future</a></li><li><a href='https://publications.dma.org/api/epub/2/104/0/figure.xhtml?revision=1777489302'>University Communities: Shaping the Future: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/104/1/figure.xhtml?revision=1777489302'>University Communities: Shaping the Future: Fig. 1</a></li><li><a href='https://publications.dma.org/api/epub/2/104/2/figure.xhtml?revision=1777489302'>University Communities: Shaping the Future: Fig. 2</a></li><li><a href='https://publications.dma.org/api/epub/2/104/3/figure.xhtml?revision=1777489302'>University Communities: Shaping the Future: Fig. 3</a></li><li><a href='https://publications.dma.org/api/epub/2/104/4/figure.xhtml?revision=1777489302'>University Communities: Shaping the Future: Fig. 4</a></li><li><a href='https://publications.dma.org/api/epub/2/104/5/figure.xhtml?revision=1777489302'>University Communities: Shaping the Future: Fig. 5</a></li><li><a href='https://publications.dma.org/api/epub/2/104/6/figure.xhtml?revision=1777489302'>University Communities: Shaping the Future: Fig. 6</a></li><li><a href='https://publications.dma.org/api/epub/2/104/7/figure.xhtml?revision=1777489302'>University Communities: Shaping the Future: Fig. 7</a></li><li><a href='https://publications.dma.org/api/epub/2/276/content.xhtml?revision=1777489302'>Scholarly Essays</a></li><li><a href='https://publications.dma.org/api/epub/2/276/0/figure.xhtml?revision=1777489302'>Scholarly Essays: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/9/content.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection</a></li><li><a href='https://publications.dma.org/api/epub/2/9/0/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/9/1/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 1</a></li><li><a href='https://publications.dma.org/api/epub/2/9/2/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 2</a></li><li><a href='https://publications.dma.org/api/epub/2/9/3/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 3</a></li><li><a href='https://publications.dma.org/api/epub/2/9/4/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 4</a></li><li><a href='https://publications.dma.org/api/epub/2/9/5/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 5</a></li><li><a href='https://publications.dma.org/api/epub/2/9/6/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 6</a></li><li><a href='https://publications.dma.org/api/epub/2/9/7/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 7</a></li><li><a href='https://publications.dma.org/api/epub/2/9/8/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 8</a></li><li><a href='https://publications.dma.org/api/epub/2/9/9/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 9</a></li><li><a href='https://publications.dma.org/api/epub/2/9/10/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 10</a></li><li><a href='https://publications.dma.org/api/epub/2/9/11/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 11</a></li><li><a href='https://publications.dma.org/api/epub/2/9/12/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 12</a></li><li><a href='https://publications.dma.org/api/epub/2/9/13/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 13</a></li><li><a href='https://publications.dma.org/api/epub/2/9/14/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 14</a></li><li><a href='https://publications.dma.org/api/epub/2/9/15/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 15</a></li><li><a href='https://publications.dma.org/api/epub/2/9/16/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 16</a></li><li><a href='https://publications.dma.org/api/epub/2/9/17/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 17</a></li><li><a href='https://publications.dma.org/api/epub/2/9/18/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 18</a></li><li><a href='https://publications.dma.org/api/epub/2/9/19/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 19</a></li><li><a href='https://publications.dma.org/api/epub/2/9/20/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 20</a></li><li><a href='https://publications.dma.org/api/epub/2/9/21/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 21</a></li><li><a href='https://publications.dma.org/api/epub/2/9/22/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 22</a></li><li><a href='https://publications.dma.org/api/epub/2/9/23/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 23</a></li><li><a href='https://publications.dma.org/api/epub/2/9/24/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 24</a></li><li><a href='https://publications.dma.org/api/epub/2/9/25/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 25</a></li><li><a href='https://publications.dma.org/api/epub/2/9/26/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 26</a></li><li><a href='https://publications.dma.org/api/epub/2/9/27/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 27</a></li><li><a href='https://publications.dma.org/api/epub/2/9/28/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 28</a></li><li><a href='https://publications.dma.org/api/epub/2/9/29/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 29</a></li><li><a href='https://publications.dma.org/api/epub/2/9/30/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 30</a></li><li><a href='https://publications.dma.org/api/epub/2/9/31/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 31</a></li><li><a href='https://publications.dma.org/api/epub/2/9/32/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 32</a></li><li><a href='https://publications.dma.org/api/epub/2/9/33/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 33</a></li><li><a href='https://publications.dma.org/api/epub/2/9/34/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 34</a></li><li><a href='https://publications.dma.org/api/epub/2/9/35/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 35</a></li><li><a href='https://publications.dma.org/api/epub/2/9/36/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 36</a></li><li><a href='https://publications.dma.org/api/epub/2/9/37/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 37</a></li><li><a href='https://publications.dma.org/api/epub/2/9/38/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 38</a></li><li><a href='https://publications.dma.org/api/epub/2/9/39/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 39</a></li><li><a href='https://publications.dma.org/api/epub/2/9/40/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 40</a></li><li><a href='https://publications.dma.org/api/epub/2/9/41/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 41</a></li><li><a href='https://publications.dma.org/api/epub/2/9/42/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 42</a></li><li><a href='https://publications.dma.org/api/epub/2/9/43/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 43</a></li><li><a href='https://publications.dma.org/api/epub/2/9/44/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 44</a></li><li><a href='https://publications.dma.org/api/epub/2/9/45/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 45</a></li><li><a href='https://publications.dma.org/api/epub/2/9/46/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 46</a></li><li><a href='https://publications.dma.org/api/epub/2/9/47/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 47</a></li><li><a href='https://publications.dma.org/api/epub/2/9/48/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 48</a></li><li><a href='https://publications.dma.org/api/epub/2/9/49/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 49</a></li><li><a href='https://publications.dma.org/api/epub/2/9/50/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 50</a></li><li><a href='https://publications.dma.org/api/epub/2/9/51/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 51</a></li><li><a href='https://publications.dma.org/api/epub/2/9/52/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 52</a></li><li><a href='https://publications.dma.org/api/epub/2/9/53/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 53</a></li><li><a href='https://publications.dma.org/api/epub/2/9/54/figure.xhtml?revision=1777489302'>Contemporary Art at the Dallas Museum of Art: How Stanley Marcus, Al Meadows, and James and Lillian Clark Shaped a Collection: Fig. 54</a></li><li><a href='https://publications.dma.org/api/epub/2/275/content.xhtml?revision=1777489302'>Appendices</a></li><li><a href='https://publications.dma.org/api/epub/2/275/0/figure.xhtml?revision=1777489302'>Appendices: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/12/content.xhtml?revision=1777489302'>Gallery Location Map</a></li><li><a href='https://publications.dma.org/api/epub/2/12/0/figure.xhtml?revision=1777489302'>Gallery Location Map: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/12/1/figure.xhtml?revision=1777489302'>Gallery Location Map: Fig. 1</a></li><li><a href='https://publications.dma.org/api/epub/2/317/content.xhtml?revision=1777489302'>History of Contemporary Art in Dallas Oral History Collection</a></li><li><a href='https://publications.dma.org/api/epub/2/317/0/figure.xhtml?revision=1777489302'>History of Contemporary Art in Dallas Oral History Collection: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/316/content.xhtml?revision=1777489302'>Edith Baker and Patricia Meadows</a></li><li><a href='https://publications.dma.org/api/epub/2/316/0/figure.xhtml?revision=1777489302'>Edith Baker and Patricia Meadows: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/16/content.xhtml?revision=1777489302'>Eugene Binder</a></li><li><a href='https://publications.dma.org/api/epub/2/16/0/figure.xhtml?revision=1777489302'>Eugene Binder: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/312/content.xhtml?revision=1777489302'>Anne and Alan Bromberg</a></li><li><a href='https://publications.dma.org/api/epub/2/312/0/figure.xhtml?revision=1777489302'>Anne and Alan Bromberg: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/313/content.xhtml?revision=1777489302'>Laura Carpenter and Nic Nicosia</a></li><li><a href='https://publications.dma.org/api/epub/2/313/0/figure.xhtml?revision=1777489302'>Laura Carpenter and Nic Nicosia: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/306/content.xhtml?revision=1777489302'>J. R. Compton</a></li><li><a href='https://publications.dma.org/api/epub/2/306/0/figure.xhtml?revision=1777489302'>J. R. Compton: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/303/content.xhtml?revision=1777489302'>Celia Eberle</a></li><li><a href='https://publications.dma.org/api/epub/2/303/0/figure.xhtml?revision=1777489302'>Celia Eberle: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/308/content.xhtml?revision=1777489302'>Brian Gibb</a></li><li><a href='https://publications.dma.org/api/epub/2/308/0/figure.xhtml?revision=1777489302'>Brian Gibb: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/315/content.xhtml?revision=1777489302'>Susan kae Grant</a></li><li><a href='https://publications.dma.org/api/epub/2/315/0/figure.xhtml?revision=1777489302'>Susan kae Grant: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/310/content.xhtml?revision=1777489302'>Paul Rogers Harris</a></li><li><a href='https://publications.dma.org/api/epub/2/310/0/figure.xhtml?revision=1777489302'>Paul Rogers Harris: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/302/content.xhtml?revision=1777489302'>John Held Jr.</a></li><li><a href='https://publications.dma.org/api/epub/2/302/0/figure.xhtml?revision=1777489302'>John Held Jr.: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/302/1/figure.xhtml?revision=1777489302'>John Held Jr.: Fig. 1</a></li><li><a href='https://publications.dma.org/api/epub/2/302/2/figure.xhtml?revision=1777489302'>John Held Jr.: Fig. 2</a></li><li><a href='https://publications.dma.org/api/epub/2/314/content.xhtml?revision=1777489302'>Janet Kutner</a></li><li><a href='https://publications.dma.org/api/epub/2/314/0/figure.xhtml?revision=1777489302'>Janet Kutner: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/309/content.xhtml?revision=1777489302'>June Mattingly</a></li><li><a href='https://publications.dma.org/api/epub/2/309/0/figure.xhtml?revision=1777489302'>June Mattingly: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/300/content.xhtml?revision=1777489302'>David McCullough with Ruth Wiseman</a></li><li><a href='https://publications.dma.org/api/epub/2/300/0/figure.xhtml?revision=1777489302'>David McCullough with Ruth Wiseman: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/17/content.xhtml?revision=1777489302'>Vicki Meek</a></li><li><a href='https://publications.dma.org/api/epub/2/17/0/figure.xhtml?revision=1777489302'>Vicki Meek: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/307/content.xhtml?revision=1777489302'>Charles Dee Mitchell</a></li><li><a href='https://publications.dma.org/api/epub/2/307/0/figure.xhtml?revision=1777489302'>Charles Dee Mitchell: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/305/content.xhtml?revision=1777489302'>Oak Cliff Artists</a></li><li><a href='https://publications.dma.org/api/epub/2/305/0/figure.xhtml?revision=1777489302'>Oak Cliff Artists: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/304/content.xhtml?revision=1777489302'>Toxic Shock</a></li><li><a href='https://publications.dma.org/api/epub/2/304/0/figure.xhtml?revision=1777489302'>Toxic Shock: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/311/content.xhtml?revision=1777489302'>Robert (Daddy-O) Wade</a></li><li><a href='https://publications.dma.org/api/epub/2/311/0/figure.xhtml?revision=1777489302'>Robert (Daddy-O) Wade: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/19/content.xhtml?revision=1777489302'>Roger Winter (Part 1)</a></li><li><a href='https://publications.dma.org/api/epub/2/19/0/figure.xhtml?revision=1777489302'>Roger Winter (Part 1): Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/20/content.xhtml?revision=1777489302'>Roger Winter (Part 2)</a></li><li><a href='https://publications.dma.org/api/epub/2/20/0/figure.xhtml?revision=1777489302'>Roger Winter (Part 2): Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/301/content.xhtml?revision=1777489302'>Ruth Wiseman, Michael Tichansky, and Judith Williams</a></li><li><a href='https://publications.dma.org/api/epub/2/301/0/figure.xhtml?revision=1777489302'>Ruth Wiseman, Michael Tichansky, and Judith Williams: Fig. 0</a></li><li><a href='https://publications.dma.org/api/epub/2/22/content.xhtml?revision=1777489302'>500X Gallery Records</a></li><li><a href='https://publications.dma.org/api/epub/2/23/content.xhtml?revision=1777489302'>DW Gallery Records</a></li><li><a href='https://publications.dma.org/api/epub/2/24/content.xhtml?revision=1777489302'>Paul Rogers Harris Papers</a></li><li><a href='https://publications.dma.org/api/epub/2/25/content.xhtml?revision=1777489302'>Karen Erxleben Weiner Collection </a></li><li><a href='https://publications.dma.org/api/epub/2/26/content.xhtml?revision=1777489302'>Works Consulted </a></li><li><a href='https://publications.dma.org/api/epub/2/27/content.xhtml?revision=1777489302'>Copyright and reproduction statement</a></li></ol></nav></body>
</html>